Saturday, September 11, 2010

september...

a month that brings with it an unknown sadness,
a heaviness of the heart
that just won't go away
as though i'd suffered some loss
but i'm not sure what

like waking up from a vague,
half-remembered dream
that i didn't want to end
but was rudely shaken out of...

i catch a glimpse of that amorphous what-if
sometimes when i dream
and try to desperately hold on
but always forget when i wake up

september
always leaves me
with an inexplicable ache in the heart...

Thursday, August 12, 2010

an aphorism(?)

more than ten years ago, i had an insight into the human condition and wrote down the following words trying to explain it.

"Everybody in the world
Is a little boy or a little girl
Saying, 'Look at me,
Love me'."

after all these years my view hasn't changed.

i'll check back after ten more years (if i'm still around). if it still holds good, perhaps i'll call it an aphorism.

Thursday, July 8, 2010

sense and innocence, part 2: guile

cunning people are like suicide bombers. they blow themselves up to hell and destroy the lives of people amidst whom they live. almost always, these are the very people who love them most (family/friends).

fortunately, nature has a sense of balance, and tends to favour the innocent. for, although they suffer injuries inflicted by the too-clever people, they are rewarded with wisdom (from the experience) and happiness (wisdom, NOT ignorance, is the actual source of bliss).

and what of the schemers? like all villains of popular fiction, they end up getting their just desserts: friendless, alienated from family, lonely and pitiable.

...oh wait, let me correct myself: they WERE friendless, alienated from family, lonely and pitiable all along. because 'clever' people are too wrapped up in their schemes to notice that they are actually loved and wanted by their family and friends; that they don't need to 'earn' these with their clever plans.

ah, if only people were sensible (not 'clever') enough to realise that being honest to themselves is all it takes to be loved...

Thursday, July 1, 2010

sense and innocence, part 1: innocence

a very dear friend of mine once chided me for describing someone i love as 'innocent'. i'd apparently 'insulted' the person by saying she had that quality!

the word has taken on a negative connotation in these cynical times. liberated and high-thinking individuals find it offensive when applied to an adult.

let's see how the dictionary defines the word:
innocent (adj) 1.uncorrupted by evil, malice, or wrongdoing; sinless
2.not experienced or worldly; naive
3.free of guile; artless

to be innocent now stands for being stupid, naive, unaware. basically, a 'babe in the woods' ('babe': another non-pc word)

i think the word was created to describe something beautiful (sue me, i think the whole world and everybody in it is beautiful!).

here is my (and i like to think, the original) definition of it:
any element in its pure form, as nature created it; anything that has not been corrupted by the introduction of an alien substance/sensibility; the original, natural state of being for anything/anybody

(as you can see, the meaning of the word itself has been corrupted by applying sensibilities and contexts to the original, 'pure' word!)

well-known fact: all babies/children are beautiful because they're innocent.

not so well-known fact: EVERYBODY is beautiful. all you need to do is look beyond their apparent 'mask-i-put-on-for-the-world' face, and see their 'true' self.

try it, it'll make YOU feel beautiful!

Tuesday, June 22, 2010

the things we hate most

...about others are the very qualities we despise in ourselves.

when i read 'of human bondage' by somerset maugham, i felt utter contempt for the protagonist, because he was such a spineless turd. only a masochist could do things like let the woman he loves treat him like dirt (perhaps that isn't the right word, because a masochist ENJOYS getting hurt, while this guy squirms through life lonely, discontented and unfulfilled).

such a loser.

...and then i discovered that everything i hated about him were precisely the things i hated about myself: being shy and trying to please others to the point of personal discomfort, and then philosophising away the injury inflicted upon the self (and feeling noble about it too!).

i hated the book (i still do!).

later, while reading 'peter camenzind' by hermann hesse, 'to a god unknown' or other books by steinbeck or salinger, i felt a strong connection, a feeling of bonhomie towards the protagonist.

upon retrospection, i found that what i actually loved about these books/their characters is that they are a reflection of what i perceived to be good or admirable qualities in me.

somewhere around the middle of 'steppenwolf' (by hermann hesse), the character, who in the beginning is a 'madman', turns into a 'normal' person who no longer feels alienated by society, and enjoys living in the mundane world. i'd stop reading the book at that particular point and put it down. i could no longer 'connect'. i made several attempts to start over from the beginning, but could never continue beyond that point.

then, thinking there was some kind of salvation for the protagonist to go back to 'abnormalcy' by the end of the story (this was hesse, dammit! HE couldn't disappoint me!), i forced myself to read the entire book from start to finish.

the whole exercise took me more than 3 years...but yes, it ended satisfyingly: with a mad ending. i could identify myself again with the not-normal, un-mundane protagonist.

'eye of the beholder' indeed. how true it is that we look at the world as a reflection of ourselves.

Sunday, June 13, 2010

there's no 'Ctrl Z' in life

not having an 'undo' option or a rewind button is perhaps the most defining feature of life as we know it. you are given ONE chance to make your decision, good or bad, and you have to live with the outcome.

what does this linear and unidirectional path mean for us? what if there had been a 'what if' option in life? what if you could travel back in time and 'correct' a 'mistake'?

how wonderful!

...or is it?

would you erase a certain part of your life because it was painful? what about what followed the moment of pain? nobody i've ever met wants to live through the most horrendous part of their lives (read adolescence). but would we be 'complete' without going through that most testing period of our lives?

there are uncountable fantasy stories that deal with this subject ('mr.destiny' is a personal favourite), and ALL the better ones end the same way: "i wouldn't change a single thing, no matter what."

life is all about the choices we make, the paths we take or are forced upon by action or inaction. maturity lies in accepting life as it is and moving forward.

it's tempting to dream about 'what-ifs' and 'what-might-have-beens', but while we are busy fantasizing, we miss the beauty and splendour of the 'what-is'.

the person i am today is the sum total of all the choices i made in my past, but not for a moment do i dwell there. i'm too busy living it up in the now. for me, it's always "today is the first day of the rest of my life."

it's nice to feel nostalgic, but as someone wisely said, "nostalgia is good stalgia" because you spend too much time regretting 'missed opportunities'. and "you know you've become old when regrets replace hopes".

i intend to remain young until the day i die.

Tuesday, April 27, 2010

silence of the lambs

men are notorious for putting inappropriate objects into their mouths.

some examples:
red meat (heart attack-causing cholesterol agent)
cigarette (cancer-causing idiot stick)
toothpick (embarrassment-causing lady repulsor)

and MOST inappropriately:
their foot (disaster-causing body part)
(scientists agree that in this respect, men are akin to cattle, sharing as they do the dreaded foot-and-mouth disease with their horn-and-hoofed counterparts)

i'm pretty certain that it was a man who came up with the aphorism "Silence is golden" (most probably after an episode of 'open-mouth-insert-foot-embarrass-yourself').

another saying gives away the gender referred to quite explicitly: "Wise men speak because they have something to say; fools speak because they have to say something".

uh huh.

alright, and why not women, you might ask. two reasons:

1. it's their god-given birthright.

2. it's for the good of all MANkind (note the gender please).

explanation for the first:
-------------------------
the ability to talk is perhaps the most distinguishing evolutionary feature that separates humans from all other creatures that inhabit our planet (i'm not taking into account mimicking macaques and howler monkeys even though they make better teatime companions than many people i know). there's nothing as powerful, as POTENT as speech. that's the reason men should not be allowed to use it (it's like allowing a child to play with a loaded gun with its safety off).

women use speech to gossip, chat, gripe and have the occasional argument (all harmless social activities).

in the hands (or mouths, rather) of men, it can cause anything from:

- mild embarrassment ("No darling, you don't look fat in that dress; it's just too tight to accommodate you...")

- to mighty battles ("We shall show the infidels who they're dealing with!")

- and even history-changing catastrophes ("Oy, Adolf! What happened to you? Shaving accident?")

a certain US president managed to bring disrepute to the seat of the most powerful man on earth by simply opening his mouth and inserting a certain object in it in the presence of an intern (thereby earning the distinction of being perhaps the only man in history to ruin himself without uttering a single word!)

explanation for the second:
---------------------------
if you are a man, and are smirking at having won an argument because your female partner has fallen silent, you are sadly (and potentially dangerously) mistaken. for, while you are gloating over your presumed victory, she is continuing the argument in her head (with total control over what is being uttered by BOTH parties, since it is HER imagination, so you have absolutely no say in it).

so you see, men should speak only when spoken to (restricting themselves to basic sounds like "hmm", "uh huh" and "hmph")

and women should talk. always.

it's an absolute necessity, and a sign that all is well with the world.

Tuesday, April 13, 2010

a brief explanation about my uncharacteristic absence from the sublime spot

sublime ape, sublime ape, where have you been?
i've been online to see and be seen.
sublime ape, sublime ape, what did you do?
i posted some sketches for all to view:

terribly sorry for the absence, folks. if you click on the link above, you'll realise what kept me busy. but not to worry: as the android in the cool jacket and goggles said, "i'll be back!"

coming up: silver tongues and golden words.

Wednesday, March 31, 2010

progression of a successful love story (from the female perspective)

1st stage : innocence / blind faith (kissing the frog with the belief that there is prince under all those warts)

2nd stage : revelation / disillusionment (finding out he is actually a warty frog under the human skin after the transformation)

3rd stage : maturity / acceptance (what the hell, he is a lovable frog despite his queer taste for insects)

(inspired by uma's 'warts and all' comment under 'love, actually')

Sunday, March 28, 2010

number theory

In the beginning, darkness was upon the face of the earth.

Then the Lord said, "Let there be Light!"

And there was!

what He saw in the brightness we don't know, but He was obviously not very happy about it. so He went about 'creating' (He was the progenitor of all us creative folks, I don't know where all you others came from).

what i DO know, was that He hated math as much as i do. why else would He say "Go fourth* and multiply"?

(*that's not a spelling mistake, in case you're wondering. i'll come to it later)

notice, the people He knew could multiply (e.g., mathematicians, accountants, businesspeople) He ordered to "Go" (away). from this it's quite evident that He loved the others and wanted them to stay (the fact that we, His beloved children messed up His garden is of course, OUR fault, and the reason He'd kick us out of it later, for even God can have limits to His tolerance).

why does God (and the majority of humankind) hate math?

"Mathematics is an EXACT science!" my dad (who taught math at university) used to chide me when i tried to solve my sums 'creatively' (the fact that my answers seldom matched up with what was printed in the text books, is another matter entirely).

to be more precise: 'Math is an EXACTING science'. it taxes you like nothing else in the world ('tax' being the only three-letter word which, as we all know, is a dirtier word than any four-letter word could ever hope to be).

...and why would it be safe to assume that God is responsible for our fear and loathing of math?

again, examine the command, and you'll notice that He was quite specific about which part of humanity should handle the numbers: the "fourth".

the other three quarters--the cadre of humanity i belong to--He didn't bother to allocate any particular task (that's the reason we still wander about, clueless about what we are supposed to be doing), or bestow with the grey cells that handle the squiggly-wiggly number-thingies.

if you're a normal human (as in 'not the bose-einstein variety'), stop feeling guilty about forgetting anniversaries, birthdays, telephone numbers and other such stuff that involve numbers, and being ‘all thumbs’ at arithmetic. remember, God loves you, and the fact that you have no head for numbers is actually A GIFT from Him.

go forth and party.

it's what He created you for.

Wednesday, March 24, 2010

riki, R.I.P.; everybody else, don’t R.I.P.

i'm interrupting my regular posts for a sad announcement: yesterday i got the news that riki, a very nice guy i knew, passed away a few days ago. it took me by shock because of 2 things in particular: his age (he was just in his thirties!) and the fact that he seemed to be on his way to recovery.

to say i can empathize with his parents would be a lie. NOBODY feels the way a parent does on losing a child.

i didn't know riki well enough to tell you details about his life. in the short time i did, two things identified him very clearly in my mind: his constant cheerfulness, and get-up-and-go attitude. if not for the physical symptoms of the disease that ravaged his body, you wouldn't know he was suffering from constant pain and discomfort. that's the kind of guy he was.

i won't serve up the usual-and-obvious platitudes ("before his time", "too young", etc.). instead, i'll rage.

i'm ANGRY and so i'll ask ANGRY questions.

how did riki die? from throat cancer

how did riki get cancer? Paan P****g paan masala (a very practical and wise person told me to replace the all-too-familiar letters with the asterisks if i didn't want to be sued. imagine an ape being taken to court!)

how long had he been hooked to this 'death-served-in-little-doses-in-little-packets'? not very long (how many years, how many packets does it take before it gets fatal?)

was riki innocent? certainly not (he wasn't an impressionable child when he acquired the taste for, and got addicted to the poison powder)

who is responsible for riki's death:

the film stars/celebrities who endorse the product?

the ad agencies that make it appear irresistible?

the corporate/business people who market it?

the manufacturer?

the government that doesn't deem it a cognisable offence and penalise them?

the society that complacently allows all this to happen?

you and me?

all of the above?

Wednesday, March 17, 2010

love, actually

The first thing I notice is the look on the woman's face: she is trying very hard not to cry.

They must be newly married, I think, although the lines on his face betrays his age. He is no longer young, and neither is she. The young man who is consoling her must be her younger brother, come to see off his brother-in-law.

The train horn sounds, and it begins to move. The man turns away from the group and clambers aboard. The young man grips the woman's hand, restraining her as she tries to follow the train.

The duo pass out of my line of sight through the row of windows as the train picks up speed, leaving the platform behind. The man stands at the door, waving at them until they are out of his sight too. He stays there, looking towards the station long after it has gone out of view.

The scenery outside slowly changes. Green fields and distant hills tell me that the train has left the town at which it had stopped far behind. The man navigates his way across the aisle and quietly comes and sits on the empty seat beside me.

The other passengers continue their chatter, sharing their snacks and their stories, their laughter and their complaints. Their bonhomie excludes this silent stranger, who looks different and obviously doesn't speak their language.

"Going to Kolkata?" I ask him in English, trying to meliorate the terrible loneliness I see on his face.

His expression changes instantly, a wide smile spreading across the deeply tanned features.

"Yes," he says. His eyes shine with relief and gratitude at my small offering of companionship.

From our conversation made up of broken fragments of three different languages, I draw out his story. He has been married for almost twenty years and the young man at the station was his son, now in college. Seeing the surprised expression on my face, he explains that he was married when he and his wife were both teenagers.

He used to work in the docks in his hometown, and has recently been transferred to the Navy Dockyard in Kolkata. He comes home every few months to spend some days with his wife and son. His economic situation and limited education prevents him from quitting his job and trying to find work closer to his home.

I comment about how I mistook him to be newly married because of the unmistakeably noticeable love he shares with his wife. He blushes and says that it has always been that way.

My heart grows warm and I smile inwardly, thinking how many people would give away everything they had in exchange for a love like that.

Monday, March 1, 2010

The Father, The Son and The Holi(ka) Aunt

“Do you smell something burning?”

“Don’t worry, it’s nothing.”

“I could swear I smelled something burning.”

“And I’m telling, you, it’s nothing to worry your little head about. Relax. Everything’s going to be okay soon.”

“Okay.”

A few minutes pass.

“Auntie...”

“Yes, dear?”

“Why are we sitting here, on this pile of logs?”

“Because you ticked your dear daddy off something terrible.”

“Why is he ‘ticked off’ with me?”

“Because you keep chanting that name all the time.”

“You mean ‘Na—’”

“Stop! Stop it right there. Don’t say it!”

“But why? What’s wrong if I say it?”

“Good grief, child! Do you have any idea how irritating that is? It sounds like the drone of a mosquito in your ear—only worse, when you do it with your high-pitched kiddy voice. It’s enough to drive any man—or demon—mad. No wonder your dad’s so ticked off with you!”

“Is that why he yelled at me before sending me into that room full of snakes?”

“Uh huh. And yet you survived. Tell me, how did you do it?”

“What? Play with the snakes?”

“Yes, yes. Tell me, what did you do in there?”

“Why, I did what that nice Holy Man told me to do all the time. I chanted the magic rhyme. It’s fun, you know. You should try it sometime.”

“What magic rhyme?”

“Nar—”

“Stop!”

“Okay. But it was fun, watching the snakes wriggle about, trying to crawl up my legs. I really enjoyed playing with them.”

“Y-you played with them?”

“Yes. It was great fun. All those colourful snakes, like playing ropes. I picked some of them up and whacked them about, tied some of them into knots, did some skipping with one that was very long…”

“Oh my god!”

“But they went away, I don’t know why. They didn’t want to play with me anymore. So I chanted that rhyme to ‘tick’ them off, those wicked snakes! It seems to ‘tick’ everybody off, that magic rhyme.”

“Oh, you have no idea. Tell me, is that what you did to those wild elephants, too: ‘ticked’ them off with your magic rhyme?”

“Yes, Auntie. They wouldn’t let me climb on their backs, so I got mad at them and started screaming the magic rhyme until they ran away.”

“I pity those poor creatures. It must have been terrible for them, with those ears of theirs!”

“Auntie, I’m beginning to feel hot. That man there just poured some more oil into our pile of logs. Why did he do that? Can’t he see it’s making the fire go higher? I can’t see daddy anymore. Can you hear him? He’s laughing. And mummy, she’s crying. Why is she crying?”

“Oh, questions, questions! Don’t you ever stop? Just sit still. It’ll all be over soon.”

“But Auntie, I’m feeling hot! Why are you holding me so tightly? Please let go. Don’t you feel the heat?”

“Not much, no.”

“Is it because you’re wearing this special saree? Let me see, please!”

“Hey! Let go of my fire-retardant asbestos shawl!”

“Let me see! Let me see! I want one, too! Gimme!”

“No! Wait! What are you doing? Hey! Give that back to me, you—”

“Nara—”

“No! Anything but that!”

“Gimme your magic shawl, or I’ll start my magic rhyme again!”

“Okay, here you go! Take it!”

“Whee! This is so cool! Look, this is my magic cape!”

“Hey, you guys! Get me out of here, quick! The kid’s got my asbestos suit!”

“I’ve got a magic cape, I’ve got a magic cape! Look, look! Even the fire can’t burn it!”

“Guys! Hey, you hear me? Put out the fire! He’s got my suit!”

“Look, Auntie—hey! What are you doing? Leggo of my magic cape!”

“Give that back to me, you little twit! Gimme back my suit!”

“Nara—”

“NO! GUYS! HELP ME! GET ME OUTTA HERE!!”

“Auntie, don’t jump about so. You’ll fall into the fire.”

“GUYS!! G—Aiiieeeeee…”

The End

(The above is an uncensored, ‘uncoloured-by-religious-sentiments’ version of true events, faithfully and accurately transcribed by palaeography experts from records excavated from the Marappa and Hohenjodaro sites.)

(Authenticated and approved The Mythillogical Society of India)

Wednesday, February 24, 2010

angels and demons, part 1


during my trek in the jungle, our tribal guide took us to a spot that local legends claimed was a rakshasa's fort. it was so indistinguishable from the surrounding forest that we'd have missed it if he hadn't pointed it out to us. the 'fort' was just some roughly strewn boulders and trees that vaguely resembled a circle of about 7-8 meters diameter.

he told us that the rakshasa had been a 'protector of the forest'. indeed.

(for the uninitiated, rakshasa is sanskrit for 'demon'. the word literally translates as 'eater of human flesh'.)

indian (or more broadly, HINDU) mythology is full of these gigantic, fearsome, forest-dwelling creatures who had a tendency to eat humans. there are vivid descriptions of these monsters with horns on their heads, large teeth protruding out of their mouths, wearing animal skin and decorated with ornaments made out of bones.

let's try to look at these 'demons' from the anthropologist's perspective: forest-dwelling tribals who lived in small communities and occassionally resorted to cannibalism when the need arose (they still do, in the remoter forests of the world where 'civilisation' hasn't reached yet).

the fearful appearance is easy to explain: survival in the wilderness calls for a tall, well-toned body that can chase animals, climb trees and is hardened to withstand the elements. clothes and ornaments the byproducts of whatever was left over after a good meal of animal/bird flesh.

magnify all these features with the fervid imagination of the 'lucky' villagers who 'got away from their clutches' ("he was at least 10 feet tall, i swear!"), and we have the whole story.

okay, enough of the scholarly thesis (which i'm sure has been done by worthier, more qualified people). this is where i get to the interesting part:

once upon a time, a tribal walked out of the jungle, got himself educated in the ways of the 'civilised' folk and soon rose to power because of his talents and natural flair for leadership. it helped that he had a body that would put a greek god to shame, and exuded the whiff of an alpha male that made him quite irresistible to the ladies.

"intolerable!" cried the aristocracy (read 'gods') and sent forth its true-blooded champions to show the upstart his 'right place'.

after innumerable humiliating defeats at the hands of the 'outsider', and as his powers grew to threaten their positions, the 'righteous ones' got together to 'liberate the innocents' and 'defend the honour' of their women from the 'evil demon'.

epic battle follows; 'villain' defeated; righteousness wins. the end.

sound familiar?

Friday, February 19, 2010

songs of innocence (part 1)

A shudder passes through his body, and she hugs him harder.

"Let's stop and take shelter somewhere, or you'll catch a cold."

"Hah! I've ridden in far heavier downpours than this. This is nothing."

False bravado, and he knows it. It's getting icy cold, and they've been riding too long in the rain. His hands are frozen and the shivering becomes uncontrollable until he can no longer hide it.

"Please let's stop. Look, there's a tree. We can stand under that."

The worry in her voice makes him stop the bike. He parks it at the edge of the road, and they stand under the tree, drenched to the skin, dripping wet. The foliage above doesn't offer much protection, but it's better than being out in the cold rain.

"Here, let me warm you."

He laughs involuntarily, because it is he who usually says these words. They huddle together, rubbing each other's hands. But the wind is cruel, and chills him to the bone. The shivering gets worse.

"Come closer, my dupatta will protect you."

"This?" he says, looking incredulously at the thin piece of cloth made transparent by the rain water. He throws his head back and starts to laugh loudly, but stops almost immediately, noticing the hurt in her eyes.

"I'm sorry. But how do you expect to protect us with THIS?"

"It is said that if one loves a person enough, even the flimsiest garment can offer warmth."

The wind is freezing, the rain unrelenting and incessant. They stand there, water dripping over their heads from the leaves above, trickling down their wet clothes and merging into the mud under their feet.

But they are as cosy as a pair of pigeons in a warm nest.

Sunday, February 14, 2010

a night in the jungle

"Charlie-One calling Base, Charlie-One calling Base, come in, over."

Krrrkle... Kssshhh... "Base to Charlie-One, what's your status? over."

"We have an emergency, Base, over."

Krrrkle... Kssshhh...

"Oh, just give me the damned gun and let's get this over with!"

"No, we should wait."

"You really think they're going to send somebody out here in the wilderness in the middle of the night?"

"But..."

"Don't be such a pussy. C'mon, give me the gun. I'll do it myself if you can't."

"But..."

"Alright, let me have the machete, then."

Whack! Thud! KRAK!

"Okay, the lock's broken. Let's get in before we freeze our @$$#$ off."

"Damn, if I knew you were such an expert burglar, I would've thought twice before showing you my house."

"Oh!"

"What? What?"

"Looks like somebody beat us to it."

"What? Who?"

"See that hole in the ground? Seal it, quickly!"

"What the hell did that?"

"Wild bandicoot."

"Whoa! Are they around?"

"Nope. They dig in here to see if there's any food when there's nobody around."

"$#!%! That's why you don't have anything here?"

"Yup. Gotta carry everything with you. Can't leave anything here."

"What about those holes? Can snakes get in here?"

"They generally avoid us humans. But hey, what do you expect in the middle of the jungle?"

"A mat would be nice. We can't sleep on the bare floor!"

"...or at least some sacks. You got some sacks we could spread out to lie on?"

"Nope."

"Hmm... okay, tell you what, you give us this... mat thingie you have there. That should do."

"Jeez, it's fulla holes! We can't sleep on that!"

"It's either this, or frozen butts in the morning. You wanna sleep or not?"

"I guess we have no choice, huh?"

"Look, you wanted adventure, you got adventure!"

"Okay, let's have a fire going. That should help... and tea! God, I'd kill for some hot tea now!"

"Here, I found some dry twigs."

Two minutes later:

"$#!%! Hack! Cough! Getouttatheway! This is killing me!"

"Hey, watch it! You're gonna bump into something in all this smoke!"

"Holy *&#%! My eyes are burning! Move! I gotta get outside!"

"Be careful! It's a jungle out there! Literally!"

"I'd rather face a herd of wild elephants than be in here!"



Later, much later in the night:

"Hey! Wake up, man!"

"Wh--what's wrong?"

"Did you hear that?"

"What?"

"I heard someone... or someTHING."

"Oh, c'mon! It's just the wind."

"No, I swear, I heard something!"

"Oh, Jeez! Give it a break. I told you, there are no ghosts."

"It sounded like somebody clearing their throat."

"In the middle of the jungle? At this time of the night? Even a ghost would freeze to death! Oh wait, ghosts ARE supposed to be dead... Look, go back to sleep. It's nothing. Probably just the wind slamming against the door."

"I can't sleep. I'm freezing."

"Yeah, if I'd known, I would've brought my sleeping bag, too. Thank goodness I brought at least this blanket. C'mon, we'll share."

Half an hour later:

"You know what?"

"Hell, you STILL awake?"

"So are you."

"Okay, you got me. What?"

"We're lucky at least there are no mosquitoes!"

(based on a true incident that happened last week)

Monday, February 8, 2010

"...gathers no moss"

personally, i'm not a big fan of moss (the human variety). after all, wasn't it she who started all this 'size zero' mess more than a decade ago? i'm referring, of course, to kate.

...but it's not her fault, either. it's the fashion gurus who projected hers as the 'desirable body type' that led to the tragedy of the 'malnourished-by-choice' trend that is prevalent among young girls even today. imagine the destruction of so many lives because of the 'artistic' whim of a few self-absorbed individuals!

er... i seem to have strayed from my topic. what was it about? ah, the proverb that seemingly praises migration over settling, movement over stasis.

if you look back at the cartoon, you'll notice that the rolling stone is 'smooth' (all the meanings you can infer from the word!), while the settled one is textured and mossy (it has acquired 'character').

the question was: what's wrong with 'staying put', 'growing roots', 'settling down'? it is, after all, the sign of evolution, of progress. civilisation, society started when the stone-age hunters began to cultivate land and gather in settlements, rather than keep moving after the migrating beasts.

...which of course, led to the recurring themes of population explosion, necessitating further migration, finding new lands to settle, ad infinitum...

so it looks like stillness is vital--perhaps even more than movement--for growth in any of its myriad aspects.

you only have to think about the ancient sages who sat/stood still for years in meditation to attain their insights. for the more scientifically-minded, i'd point out the classic image of newton lazing under the apple tree.

MOVEMENT provides information/knowledge/experience

STILLNESS bestows awareness/wisdom/maturity

i'll elaborate on this topic in future (please feel free to provoke me if you have any comments) but there's something else i've been wanting to write about on this blog.

coming up: Innocence and Beauty!

Wednesday, February 3, 2010

"a rolling stone..."


a very dear friend of mine asked "what's the problem with NOT being a rolling stone?" the question was rhetorical (because i know he loves to travel), but it set me thinking.

you see, i have another very good friend who epitomises the very concept of a rolling stone: he very rarely, if ever, sticks to one place for more than a month. he has an overwhelming need to keep moving, keep shifting geographic locations.

i can empathise with him, because i too (like a million other people, i'm sure) have this fantasy whenever i go on a long ride: i wish that the road (and the petrol in my bike!) would never end, that i could keep going forever...

there is something about perpetual movement that is alluring, and tugs at us at the very core of our beings. the desire to be 'somewhere else', to journey onward, to become restless when we remain in one place for too long.

this genetic necessity to travel, is of course, the reason why humanity has not stagnated, and has spread to the farthest corners of the world (and will someday make us reach out to the stars).

wise people have said: "movement is life, standing still is death." there are myriad versions of this saying that apply to every aspect of life, whether it is personal, societal, or civilisational.

in my next post, i'll explore the 'mossy' part of the equation.

Monday, February 1, 2010

"leave me alone!"

the cry is desperate, sometimes filled with agony, sometimes rage, most often a simple plea.

why is it so difficult for the world (composed of other humans who have all had the same desire for solitude sometime or the other) to accept that one might simply not want to participate in its affairs?

why make outcasts of the ones who are 'different' just because of who they are, what their nature makes them be? is living on their own terms so horrific a disease that they have to physically remove themselves from society, become hermits?

how many beautiful people have we chased out from our midst because they wouldn't 'fit in'?
how many sublime ideas, how many works of art have we deprived the world of, by forcing seclusion upon them?

we blame the media for building people (both talented and worthy, as well as hollow gasbags) up into 'celebrities' and then cutting them off at the knees to watch them topple. it's a game that we love to play: like children playing at the beach, we love to build (or watch somebody build) up a sandcastle, and then derive wicked pleasure in trampling it all down and grinding it into the dirt.

'society' - a convenient word created to replace the closer-to-home words 'you' and 'me'.

god rest your soul, mr.salinger (if you believed in god and thought you had a soul)